A landscape born of gestures. The provocation of an affective memory by an image, by a word: “quarar”. Grandma's hand dipped in bucket. The grandmother's hand gesturing water over the sheets spread out in the overgrown grass in the backyard. An ancient sensation superimposes itself on the current sensation and extends it over several epochs at the same time. The body experiencing the dynamics of immanence in multiple times: quarrying the soul. Sensory object, transporting the imagination.
Memory implies. A strange contradiction between survival and nothingness. Just it? only memory? Quarar, an ancestral habit, practically in disuse, is brought to the present, providing a strange joy. Once this joy is experienced, the quality appears as a property of the object that possesses it: the gesture seen. But, strangely, everything happens as if this quality involved the soul of an object other than that - a sign.
Washing the soul, subtle experience, light event. How to constitute a body in this delicate experimentation? How to constitute a body in the elasticity of time of a sensation? Time, in order to make itself visible, lives in search of gestures and, as soon as it finds them, it soon seizes them in order to display its magic lantern. What gestures? Fragments of plural times. Body memory. Memories in fleeting movements, almost imperceptible. Small moving concerns.
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Subjectivity itself undergoes resignification, it gestures between times, sensations, memories. Gestures: movements of a body that draws and redraws its shape. The movement to transport the soul to another place. A place, a landscape born of gestures. An aesthetics in the production of existence in body-thought. In memory, the affectations of the times. Imagination set in motion. Encounters. The experiments will be constituted in body, at the same time reality and poetry, in a sign that reveals itself artistic: the gesture of quarar.
